荒木又右衛門
Araki Mataemon
The Sword Demon of Kagiya no Tsuji — Master of Mugai-ryū Who Starred in One of Japan's Three Great Acts of Vengeance
Description
Araki Mataemon Shigenao (1599–1638) was one of the greatest swordsmen of the early Edo period, a master of Mugai-ryū whose fame rests above all on his role in the Battle of Kagiya no Tsuji in 1634 — one of the 'Three Great Acts of Vengeance' in Japanese history. When his brother-in-law Watanabe Kazuma sought vengeance against Kawai Matagorō, Mataemon joined as his second despite the enormous odds: the enemy side had gathered a much larger force of supporters. The story as told in legend holds that Mataemon personally cut down eleven men, though historians consider this an exaggeration; what is not in doubt is that Mataemon was among the most formidable swordsmen of his age and that his contribution to the vendetta's success was decisive. He trained first in Yagyū Shinkage-ryū and Ittō-ryū before receiving complete transmission in the Mugai tradition from his teacher Tsuji Gettan — a sword style whose core principle is the Zen concept of cutting from a state of emptiness, 'no-self outside.' His preferred weapons were heavy-cutting blades of the dōtanuki type, chosen for their ability to cut through armor and multiple opponents: function absolutely first, aesthetics a secondary consideration. He died at thirty-nine, barely five years after Kagiya no Tsuji, his short life so thoroughly identified with the sword that his legend needed no further elaboration.
Notable Swords
- Sword of Kagiya no Tsuji — the heavy-cutting battle sword Mataemon carried to the vendetta duel of 1634, a dōtanuki-type blade chosen for its ability to cut through armor and multiple opponents; the sword with which a swordsman staked his life not for personal glory but for his brother-in-law's right to justice; the physical expression of the bushidō concept of giri, duty and obligation, at its most absolute
- Sword of Mugai-ryū training — the practice sword through which Mataemon mastered the Zen-inflected cutting philosophy of his school: emptiness as the source of absolute cutting power; a blade not of decoration but of daily discipline; the sword through which the philosophical principle of 'nothing outside' (mu-gai) became embodied skill
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柳生十兵衛
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伊達政宗
Azuchi-Momoyama to Early EdoDate Masamune
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本多忠勝
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織田信長
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Demon King of the Sixth Heaven